Microphone mods [message #25160] |
Fri, 11 June 2004 11:26 |
Dean Kukral
Messages: 177 Registered: May 2009
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Master |
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I thought a while back that there was a post here on modifying a RS sound level meter using a better thingamajig that you replaced in the receiving end. You could get it from Digi-Key and it was cheap. At the time, I went to Digi-Key, but they were out of stock. Can anyone help me here, please?
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Re: Thanks, But Not What I Was Looking For [message #25169 is a reply to message #25168] |
Sat, 03 July 2004 13:58 |
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Wayne Parham
Messages: 18793 Registered: January 2001
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Illuminati (33rd Degree) |
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Hi John, I'm reasonably confident that Eric has done the mods. But to be honest, I never liked the performance of the little RS SPL meters. I see them as a way to get ballpark figures, but nothing more. As for electro-mechanical specs, they're not quite as hard to get as response measurements because they don't include the acoustic domain. If you have a good signal generator and a scope or meter, you can obtain reasonably good T/S specs. I don't expect home measurements to be as reliable as those obtained at large shops with better systems. But still, you're really just measuring electrical values, and the mechanical transformation is reflected in them, showing electro-mechanical specs. There isn't as much outside influence as there is when making acoustic measurements, so you can usually expect decent results. I think the best thing you can do to reduce ambiguity is to verify with more than one measuring instrument, and to ensure you can reliably repeat your measurement values. Wayne
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Speaker Workshop [message #25171 is a reply to message #25170] |
Sat, 03 July 2004 23:11 |
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Wayne Parham
Messages: 18793 Registered: January 2001
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Illuminati (33rd Degree) |
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Actually, I've always considered really accurate measurement systems to be available only to those with deep pockets. This has changed to a large degree, and there are some really good packages available these days for less than a grand. Speaker Workshop is shareware, and it does a pretty good job. I don't know that I'd put its results up against a calibrated system in an anechoic environment, but it sure makes design work a whole lot easier than doing everything manually and with hand calculations. Distance to boundaries depends on the frequency range of interest. For example, if you're concerned with the interaction between components at a crosover above 300Hz, then a few feet distance from boundaries is plenty. You can gate the microphone input so that reflections are ignored. About the subwoofer, I assume you're talking about the flux-stabilized B12. Eminence has already built a first prototype and found that the shorting ring reduced 2nd harmonics by more than 10dB, so that part was a success. But to get the reduction of harmonics down to the lowest frequencies requires a larger flux stabilization ring, so they are working on another type of magnetic structure. They'll build a second prototype using a structure that allows a larger ring, and they've told me that we're looking at around the end of the summer for a timeframe on that.
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