| Compression Horn Lesnses [message #17819] |
Fri, 13 May 2005 05:15  |
FredT
Messages: 704
Registered: May 2009
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Illuminati (1st Degree) |
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I noticed the Eminence 290 has a smooth flare while the 295 has a discrete angle in the flare. How do these differences effect the sound? Is one generally preferred for home audio?
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| Re: Compression Horn Lenses [message #17825 is a reply to message #17819] |
Fri, 13 May 2005 17:55  |
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Wayne Parham
Messages: 18784
Registered: January 2001
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Illuminati (33rd Degree) |
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You can model the response of each of these horns in Hornresp and see their on-axis response. That will give you some idea of what kind of sound to expect from them. It's a pretty useful program to have too. I've found that small horns tend to be a little more flat when the flare expands rather than having straight walls, but if you can make 'em really big, the conical flare works very well.
The extra expansion near the mouth of a straight walled horn is for directivity. If the horn were very large, then the radiation angle would be set by the flare. But as frequency drops, wavelengths get long and at some point, the flare isn't acting as a directional device any longer. In fact, there is a transition region where the mouth acts like a diffraction slot. And when it does, the pattern doesn't neatly transition from the wall angle to omnidirectional; Instead, it forms a pattern like this:
You'll notice that intensity is high in the center, then dips before another peak. The widening near the mouth helps increase energy in the dead spot, making the pattern a little better at the low end where it loses pattern control.
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