The real benefit gained by the π cornerhorn arrangement is the uniformity of its pattern, its spectral balance throughout the room and the large "sweet spot" it provides. They have a natural tendency to balance the stereo image over a fairly wide area in the center of the room. This is due to their uniform directivity and their 45° toe-in, causing the forward axis to cross. All these things are lost when using a single π cornerhorn as a bass bin.

• Making speakers "disappear"

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