Tuning below Fs with JBL 2226H? [message #75301] |
Mon, 21 January 2013 03:53 |
Omholt
Messages: 7 Registered: January 2013 Location: Norway
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Esquire |
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I'm considering building two bass units in vented boxes for a two channel setup. I want something that can be crossed over in the 200-250 Hz region. The JBL 2226H is considered a fine driver for midbass.
At the same time I would like good ouput down to about 25 Hz.
The plan would be to start with two stacked drivers on each side and increase with three or four later if it's needed.
If the cabinet is large enough, using several drivers on each side and I have enough watt, is tuning to around 25 Hz problematic and a compromise? The Fs of 2226H is 40 Hz.
Is it better to use a driver with lower Fs? What would be recommended in that case.
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Re: Tuning below Fs with JBL 2226H? [message #75305 is a reply to message #75301] |
Mon, 21 January 2013 09:27 |
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Wayne Parham
Messages: 18787 Registered: January 2001
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Illuminati (33rd Degree) |
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The JBL 2226H is one of my all-time favorite midwoofers. And it is capable of producing subwoofer output too, but it is not optimized for that purpose. Most of the things that make it great - its motor structure with shorting rings, it's highly damped cone, it's efficiency - all work best above 50Hz.
So while you can make a good subwoofer using JBL 2226H drivers, I would prefer to use JBL 2235 or JBL 2245 woofers instead. They are tuned for subwoofer use. Another option is the LAB12, which allows me to build a very competent subwoofer in a 4ft3 box, which is much smaller than what is required for the JBL subs. The LAB12 sub is not as efficient though, naturally, because size is king where subs are concerned. According to Hoffman's Iron Law, the only way to get efficiency and deep bass extension is to use a large box.
Still, since the most important thing for good quality bass is to use several distributed subs placed around the room, I find it pretty important to have subs of reasonable size. I think some people would think even 4ft3 is large, and so for them, 8ft3 to 10ft3 cabinets are out of the question, especially in multiples. But for me, 4ft3 subwoofers aren't too large. I run a pair of them flanking the mains, and another pair behind the seating area, and this gives incredibly smooth bass response throughout the room.
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Re: Tuning below Fs with JBL 2226H? [message #75311 is a reply to message #75310] |
Mon, 21 January 2013 13:04 |
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Wayne Parham
Messages: 18787 Registered: January 2001
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Illuminati (33rd Degree) |
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The JBL 2242 is an awesome prosound sub. But for home hifi and home theater, I would prefer the JBL 2245. Then again, the 2245 is no longer available, so the 2242 might be a better choice, simply because of that.
These are all prosound drivers, and all are suitable as prosound subs. In a 10ft3 cabinet tuned to 30Hz, the 2245 is flat as a ruler, strong all the way down. The 2242 in the same cabinet has a bit of an EBS alignment, which is fine. Both are awesome. Still, if I had them both available to me, I personally would prefer the 2245.
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Re: Tuning below Fs with JBL 2226H? [message #75318 is a reply to message #75317] |
Tue, 22 January 2013 10:21 |
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Wayne Parham
Messages: 18787 Registered: January 2001
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Illuminati (33rd Degree) |
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Lobing from acoustically distance sources is undesirable, that is true. It is to be avoided where possible, and outdoors or in very large areas, you want point source summing, which is accomplished by keeping source locations within 1/4λ, just as you've said.
But this is impossible to achieve indoors. Boundaries are further than 1/4λ away, so point source summing loses meaning. The reflections are out of phase with the direct sound. Even a single source gets interference from its reflections, which are nearly as loud as the direct sound. The result is deep notches at some points in the room, with hot spots in between them.
Sound energy distribution is like a checkerboard of hot and dead spots, and the pattern is frequency specific. At low frequencies, in what is called the modal region, there are large, widely spaced nodes. As frequency goes up, the number of nodes increases and distances between them become smaller. Eventually - at the Schroeder frequency, approximately 200Hz or so - the nodes become so closely spaced they cannot be distinctly identified. This is where the energy distribution becomes more of a statistically averaged sound field.
Room modes are the reason to use a multisub configuration. It is done to smooth the sound field at low frequencies by making sound in the modal region act more like the statistical region. For more information, see the link below:
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