So, what about Digital EQ? [message #3340] |
Wed, 12 July 2006 14:35 |
GarMan
Messages: 960 Registered: May 2009
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Illuminati (2nd Degree) |
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Ever since Fred and Jim brought up DEQX in the post below, I became very interested in the use of digital equalizer in home system. In addition to the DEQX, Behringers' DEQ2496 comes up a lot on discussion boards. I've read Jim's throughts on the DEQ2496 vs DEQX. But at almost one tenth of the price of the DEQX, the DEQ2496 is a more realistic option for me. Question to the group is: is a unit like the DEQ2496 really necessary for home use. On the surface the DEQ has a lot of cool features. Graphic EQ, Parametric EQ, RTA, and auto EQ. The thought of using this unit to auto EQ my system to the room seems very appealing. I see great benefits for pro-sound where venue and setup changes every night. But my system and room do not change very often and I would probably end up using the auto EQ feature just once. Would it not be better to manually measure the room, and spend the $300 on a high quality analogue EQ instead? Gar.
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Re: So, what about Digital EQ? [message #3358 is a reply to message #3357] |
Mon, 17 July 2006 13:19 |
Jim Griffin
Messages: 232 Registered: May 2009
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Master |
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GarMan, Now that DEQX preamp version would be a real honey for EQ changes. It has a remote control that has 99 possible diferent EQ settings. Hence, you could change on the fly per each CD, record, or whatever other reason that you have. Jim
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Off-shoot Topic - "As the Engineer Intended" [message #3359 is a reply to message #3358] |
Mon, 17 July 2006 14:25 |
GarMan
Messages: 960 Registered: May 2009
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Illuminati (2nd Degree) |
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Interesting point about eq'ing for each CD and song. I can never buy into the purists' approach that software should be experienced as the engineer intended. Might be valid if you only listen to "audiophile" recordings, but in reality, most of my collection consists of poorly recording/mixed material. It seems the more detailed my system becomes, the worst they sound. Cool story. I once heard that when Oasis' "What's the Story Morning Glory" was mixed, the band was high on cocaine. No personal experience with it, but when you're high on coke, you lose your ability to hear higher frequencies. They threatened the engineer to crank up the treble so that it sounded right to them. Which explains why the album sounds like crap. Does this mean that if I was a "purist", I would have to be strung out on coke to hear the album as the band intended? Gar.
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