It's also cheap. Atleast in my neighborhood. I paid $24 for a piece 3/4x7x75, S4S.

I used Zinsser amber shellac diluted to a 1 Lb. cut and applied with a cotton sock balled up inside a piece of cheesecloth. The amber just slightly deepens the natural tone and makes it a bit browner and redder.

I padded on 5 coats and leveled each one with 4-0 steel wool. Then 5 more just left to dry. Finally, I wetted another pad with straight alcohol and very lightly passed it over to level the last coat. There's a natural glow you just don't get with any other finish.

I wish you all could see this base in person. My 1 meg pocket camera doesn't begin to show how the patterns and colors seem to be alive. Especially where the router bit revealed the quartered grain.

The black top plate will be recessed into the frame supported by the maple blocks. Those little black footers are Gabon Ebony without a hint of grain or other color. That's expensive! But if it's good enough for Yamamoto ....

All I do is release the beauty that's already in the wood.
All It takes is a router, a chop saw, a few clamps and the finishing materials available in any paint store. In my case in a bedroom.
Of course, while making mistakes and ruining wood for over 40 years I've learned a few things, too.

You want to see the Wizard? Try Martinelli or Brown.

"That ain't workin', money fer nothin' and yer chicks fer free"

Here's a little headphone stand I made one Sat. about a year ago. Padauk and purpleheart. Not as pretty as yours, but looks much better in person than this pic shows. I used about 10 coats of tung-oil on it.

It's such a gas when the finish first hits the wood and the grain and color pops out.

You'll know better than most that I've been an oil finish guy for a long time. I've never had the equipment or space to spray lacquer and felt it looked kinda artificial. But, oh, that smooothness.

I've also held the belief that shellac was for grade school projects and a pain to brush on. Was I ever wrong. Not only does shellac do a better job of revealing the color and grain but the tactile part of it, that glass smoothness is fabulous. And padding makes it easy.

I'll still oil open pore wood like mahogany but for the rest, it's shellac.

Wanna see something cool! I make, or used to when I had a place to shoot, homemade Cherokee style osage bows. NOT the ones you see at the antique flea markets for lookin' at, but ones I actually hunt with.

Take osage and clean it all up, then pat it down with liquid draino. The bright yellow hardwood turns a GORGEOUS orange-brown color! Hit it with a light wipe of a wet rag, let it dry, smooth with 1000 grit (0000 wool leaves behind metal particles that can rust or dull your scraper blades if the thing needs re-touched) and give it a finish of high gloss followed by low gloss poly or a handful of shellac coats.

Here's a pic of one I made my son that I just left with high gloss (more protection, and it's shiney!!) that I used several coats of draino on.

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