True, the trick is to blend the action. As far as the mouth size i disregard the normal final expansion and make the mouth open up in a more radical fashion and with the sloped final stage it allows the wave to expand more rapidly and gives the effect of a larger mouth as well as brings the wave centerline (maxium response axis) up closer to the driver which helps the mechanical crossover of horn mouth/driver.
However this requires a slight fudge on the wave form as at the lowest frequencies it is more of an upright oval than a true circular wave. This is all accomplished for a smaller footprint and slightly exceeds the old rule of a 1:1.6 aspect ratio. However i tried a 1:1 aspect ratio and while the lower Hz was a bit cleaner the size of the mouth required was not to my liking.
ron