If the baffle were sealed to the floor and ceiling and at least 4 x Vas of the driver in internal volume provided you'd have an infinite baffle design with the same corner loading.

Either of these designs could be duplicated on both front wall corners or multiple drivers could be mounted on the same baffle.

Dave

GTF

And what causes those below 40 Hz booms and thuds that obviously aren't a part of the music. Receiver? Plate amp? Stupid recording engineer?

But in *my* music room, I run SET's and have a pair of Lowther PM6A's with 40" front horns. I like the clarity of the Lowthers and the bass is, as a friend put it, credible. But I have found that many people overlook the quality of the bass in an audiophile system and just go for a sub with quality something like the BP's, which I think messes up a high-end system.

So I'm building a pair of Pi Seven cornerhorns without tweeters as the bass boxes. My personal taste at this point in time is SET, and I don't like anything between the amp and the driver. So I am putting together a biamped system. One amp to the Lowthers, the other amp to the bass box.

Such a setup requires lots of real estate, as the Pi's are huge and are too tall to act as bases for the 40" horns. The horns are on tripods (speaker stands), and thus can be moved for best sound.

Hope this helps.

Len