Turntable Thoughts [message #12749] |
Wed, 01 February 2006 19:29 |
Manualblock
Messages: 4973 Registered: May 2009
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Illuminati (13th Degree) |
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Pondering a possible move on the table currently a stock 1984 Linn Sondek with a Black Ittok type III. I can upgrade; that would include a new main bearing and some suspension parts/outboard motor controller. Linn parts would equal about 1500$ for thosse upgrades if I bought used. I am looking at the Loth X non-suspended table using a solid acrylic plinth and huge DC motor with a titanium main bearing of some integrity. The platter is massive. The Table is 1500 w/o arm. A nice Morch UDX 4 would compliment that set-up beautifully and runsabout 1200$ putting me at 3K$ with a brand new Shelter cartridge; 601 probably. I use a pair of Loth X ION's as my small speakers and if you are familiar with them then enough said. My quandry is one; I love the feel and warm sound of the linn even with the mid-bass hump; which compliments the flat frequency response of the PI Theater 4's nicely warming up the usual detail and open sound of the PI's. But the Linn is a guilty pleasure in the sense that it helps older recordings; especially Jazz but can smooth out newer quality stuff a little more than should be acceptable. Especially using the Denon with a slightly rising High end. Anyway I know I am not the only guy facing this choice; so I wonder what the general consensus might be regarding these types of considerations. Hopefully there are some replies here so I don't have to migrate to a more accepting site for this discussion. Now more than ever there are serious re-issues of many eccellent older recordings of note. This makes the possibility of just chucking vinyl and focusing on CD less attractive than two or three years ago. Looks like Vynil is here to stay. This is brought home to me when I see beautifull re-issues of Buck Owens and The Buckeroos live at Carnegie Hall and the Byrds back catalogue. The Spirit Double Album I have been listening to is so organic and real I can't take it off the table. And my Copy of Appalachian Spring is transfixing.
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Re: An uninformed post [message #12752 is a reply to message #12751] |
Thu, 02 February 2006 05:32 |
Bill Epstein
Messages: 1088 Registered: May 2009 Location: Smoky Mts. USA
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Illuminati (2nd Degree) |
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Your experience in Manhattan is a shame. Here in Columbus it's more of a "flea market" and the 15 or 20 LP vendors bring everything they have. 4 copies of Sgt. Peppers $10 to $15 and the like depending on condition as well as rare Jazz stuff for $50 to $100. I just want to hear the music I want to hear; rarity or chic means nothing to me so I generally leave with a bag full of vinyl. I wish the dealers would quit throwing away the Opera until I've had a chance to go through it, dammit! It's really true that I've only once heard a Linn and then only in passing. Back in the 'flush' Eighties when I was moving up from an AR-XA the VPI HW-19 III and the SOTA's were "it", at least in S. Florida. Tone arms were ET, Dynavector and Souther. Cart's were Grado on the low end, ADC such as the XLM in the middle, Sumiko and Kuetsu on top. I thought the SOTA's had too much bass and didn't trust the vacuum system. Likewise, I didn't see how the extra complexity of the DV or Souther arms could be a good thing. Went with the VPI/ET combo which I thought was smooth and neutral. Step-up devices were way expensive, like Cotter so my Muse Model One or NYAL Minuet pre-amps saw the Talisman Virtuoso Dti hi-output.Now that was a "musical" combo. The Ariston/ SME I now have is more 'colored' than what I remember of the VPI/ET and adding the 10X5 seems to tone that down some. Yes, it is a bit 'hot' on top but the Grado's I tried were too romantic. Steve Brown has an XLM on an SME arm and that is a VERY good combination. Now that step-ups are common, simpler and waay cheaper I plan to try a Denon soon. Music is always "fun" to listen too; Vinyl LP's are "fun", in contrast to the aluminum discs, before you ever put them on the platter.
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